The Zaragoza artist Enrique Radigales presents his exhibition Limbo at the Instituto Aragonés de Arte y Cultura Contemporáneos (IAACC) Pablo Serrano. The exhibition, which reflects on the boundaries between the analog and the digital, will be open from October 2 to December 8 in room 00 of the museum.
The exhibition is curated by Nerea Ubieto and has been conceived specifically for the spaces of the IAACC Pablo Serrano. It brings together recent works and key pieces in the artist’s career, delving into a borderland between the analog and the digital, memory and oblivion, the natural and the technological.
The project includes 22 works articulated in installations, sculptures and objects, photographs, and video. The exhibition compiles thirty years of the artist’s work and reflection, starting in 1994 when he finished studying painting in Barcelona.
Pedro Olloqui, General Director of Culture, emphasized that the exhibition immerses us in one of the fundamental lines of activity of the Pablo Serrano and that the museum preserves the seed of modernity in the visual arts in Spain. He added that the exhibition utilizes a significant number of aesthetic and expressive resources and that it is the visitor who must attempt to confirm the impression it leaves.
Julio Ramón, director of the IAACC Pablo Serrano, commented that this has been a project intensely yearned for by both parties. Artist Enrique Radigales recalled that three years ago curator Nerea Ubieto proposed holding this exhibition with retrospective undertones at the Serrano.
Enrique Radigales (Zaragoza, 1970) has been developing for over two decades an artistic research focused on the tensions between nature, technology, and memory. Trained in Fine Arts at the University of San Carlos in Valencia, with stays in Madrid and Barcelona, he has constructed a unique language based on experimentation with hybrid supports and criticism of technological obsolescence.
Among his individual exhibitions, notable ones include ‘Códigos en el paisaje’ (Antonio Gala Foundation, Córdoba, 2010), ‘Memorias RAM’ (La Panera, Lleida, 2014), ‘Naturaleza intermitente’ (Etopia, Zaragoza, 2018) and ‘Pixel Frágil’ (Centro Párraga, Murcia, 2021). His work is part of public and private collections such as those of the Government of Aragón, DKV, Fundación La Caixa, and Fundación ARCO.
